Barry HarrisThe method

People Barry talks about

Phil Woods

alto saxophone

Bebop alto saxophonist; Barry loved a recording, made in 1957 by his account and issued only decades later, on which Woods plays with Bud Powell, Donald Byrd, Paul Chambers and Art Taylor.

mentions
5
recordings
3
Barry speaking
5

What Barry says

Barry says he digs Phil Woods and Donald Byrd, and especially loves their band with Bud Powell, Art Taylor on drums and Paul Chambers on bass, a recording the interview’s editors identify as Live at Birdland 1957.

Victor L. Schermer (interviewer); Barry Harris, Barry Harris: Iconic Jazz Pianist and Keeper of the Flame ¶7

Speaking of the 1957 recording after it was issued, he urged his interviewer to hear it, called it one of the best things he had heard that year, and said he sits at the piano and plays right along with it.

The last train to Monk: an interview11:3612:13

In his Almeria talk he tells listeners to hear the same record, naming Woods with Chambers, Byrd and Art Taylor, mainly to point out how well Chambers solos on it.

Believe: a talk to musicians46:50

In a 2016 Rome class he had the record put on for the students, recalled going straight to the piano and playing right along with it when he first heard it, and remarked that he had never heard Woods play like that.

The 2016 workshop, part 3: Monk’s tunes, not his style27:1229:1730:59

In his own words

I also dig Donald Byrd and Phil Woods. I especially love their band from 1954-1958, the one with Bud Powell, Phil Woods, and Donald Byrd, with Arthur Taylor on drums and Paul Chambers on bass.

Victor L. Schermer (interviewer); Barry Harris, Barry Harris: Iconic Jazz Pianist and Keeper of the Flame. Asked by All About Jazz for his favourite recordings ¶7

That’s one of the best things I’ve heard this year. I sit at the piano and I just sit down and put that on and I just play right along with it.

The last train to Monk: an interview, various, 1987–2019. On the newly issued 1957 record with Bud Powell and Woods 12:13 Watch on YouTube at 12:13

they just brought out a new thing. Not new, it was made in 1957. You should hear Donald Byrd, Paul Chambers, Art Taylor, Bud Powell and Phil Woods.

The last train to Monk: an interview, various, 1987–2019. Pace Report interview, Detroit Jazz Festival 2014 11:36 Watch on YouTube at 11:36

This is from 1958 or something. Phil Wood[s]. I never heard him play like that.

The 2016 workshop, part 3: Monk’s tunes, not his style, Rome, 2010–19. Rome 2016 class, listening to the record with the students 30:30 Watch on YouTube at 30:30

Every mention

5 moments in the recordings, 5 of them Barry speaking. Each says who is talking.

The last train to Monk: an interview

various, 1987–2019

  1. 11:36

    Barry

    Recommends the newly issued 1957 recording of Bud Powell with Woods, Byrd, Chambers and Art Taylor.

    Watch on YouTube at 11:36

The 2016 workshop, part 3: Monk’s tunes, not his style

Rome, 2010–19

  1. 27:12

    Barry

    Asks the class to put on the record with Bud and Woods; he played along with it on first hearing.

    Watch on YouTube at 27:12

  2. 30:59

    Barry

    Dates the recording to around 1958 and says he never heard Woods play like that.

    Watch on YouTube at 30:59

  3. 29:17

    Barry

    At home he can sit and hear Woods (caption ‘St Wood’) and the rest; here the bass is lost.

    Watch on YouTube at 29:17

Believe: a talk to musicians

Almería, 2014

  1. 46:50

    Barry

    Names Woods (caption ‘Phil Wood’) on the record with Bud Powell, Chambers, Byrd and Art Taylor.

    Watch on YouTube at 46:50

In the interviews and notes

Method ideas nearby

Ideas of the method taught in the classes where they come up, with how many mentions fall in each.

  1. 11.1Two hands together4
  2. 11.3Mirror image and contrary motion between the hands3
  3. 13.4Monk’s and Bud’s tunes; learning from records3
  4. 1.4Triplets and thinking in six1
  5. 11.2Keep the left hand low and make it interesting1
  6. 12.1Everybody sings1
  7. 12.2Know the song; learn many songs; find your key1
  8. 14.3Learn from the masters by ear; study the small things1