Barry HarrisThe method

Tunes he taught

Perdido

In a short Hague class Barry used Perdido as a fast tune for quick phrases: down the B♭ chord, a chord on the third of B♭ with a chromatic run, a triplet rhythm counted aloud, and a run down the F7 scale to B♭. He also played it as a sideman, on record with Sonny Stitt and at North Sea Jazz in 2005.

moments in class
6
recordings
1
Barry plays it
1

What he teaches through it

He had a student play quick phrases at a fast tempo, asked the class what song they could be playing, and told them: Perdido. The first phrase was just the B♭ major chord, run down and stopping on the second.

Fast phrases for Perdido0:000:33

Next came a chord on the third of B♭ major, played up with the right hand, then a chromatic run down from it. He stopped a wrong attempt, had it played again and suggested bringing in the fourth finger.

Fast phrases for Perdido0:331:172:02

He counted the rhythm aloud, ‘one and triplet three and four and one’, admitted it was hard to say, and then had the class start it from the ‘and’.

Fast phrases for Perdido2:022:41

Then: start on the third of F7 and run down the scale to the tonic of B♭. He first said F major, corrected himself to F7, and added that every seventh scale is a major scale: the F7 scale is the B♭ major scale, so they were only playing B♭ major.

Fast phrases for Perdido2:413:16

In his own words

Play a chord on the third of B flat major with your right hand.

Fast phrases for Perdido, The Hague, 1989–98. Setting a fast phrase for Perdido in a Hague class. 0:33 Watch on YouTube at 0:33

One and triple[t], three and four and one... That’s hard to say.

Fast phrases for Perdido, The Hague, 1989–98. Counting the rhythm of a Perdido phrase aloud. 2:41 Watch on YouTube at 2:41

Every 7th scale is a major scale, right? F[7] scale is B-flat major scale. So all we’re doing is playing B-flat major scale.

Fast phrases for Perdido, The Hague, 1989–98. The class runs from the third of F7 down to the tonic of B♭. 3:16 Watch on YouTube at 3:16

In class

Every moment he works on it, with the ideas of the method it shows.

Fast phrases for Perdido

The Hague, 1989–98

  1. 0:00

    Hague: a quick phrase down the B♭ major chord, stopping on the second; the tune is Perdido.

    6.313.3

    Watch on YouTube

  2. 0:33

    Played real fast: a right-hand chord on the third of B♭ major.

    6.3

    Watch on YouTube at 0:33

  3. 1:17

    Then chromatically down; stops a wrong try and has it played again.

    Watch on YouTube at 1:17

  4. 2:02

    Bring in the fourth finger; counts the rhythm ‘one and triplet three and four and one’.

    6.9

    Watch on YouTube at 2:02

  5. 2:41

    Start it on the ‘and’; then from the third of F7 down to B♭.

    6.94.2

    Watch on YouTube at 2:41

  6. 3:16

    Every seventh scale is a major scale: F7 is B♭ major.

    4.2

    Watch on YouTube at 3:16

Barry plays it

In the method

The ideas of the method these moments show, and how many moments each.

  1. 4.2Every dominant 7th scale is a major scale2
  2. 6.3Chords as lines2
  3. 6.9Triplets in lines (eighth- and sixteenth-note)2
  4. 13.3Standards worked in class1