Barry HarrisThe method

People Barry talks about

Barbra Streisand

vocals

American singer and actress; Barry imagined her singing songs he had written and wanted her for a stage play he was writing.

mentions
3
recordings
2
Barry speaking
3

What Barry says

Barry was writing a play about a sock, the kind you see hanging from a lamp post and wonder where it came from. He wanted Streisand to be the sock and the tap dancer Jimmy Slyde the can: the wind would blow the sock out and it would turn into Streisand. He had a couple of songs for her.

Artists House Master Class Barry Harris - Performance25:5226:25

The song he had for her was ‘The Breeze Song’, which he performed at an Artists House master class. Afterwards he said he was doing this to show that Americans can write beautiful music, songs like ‘April in Paris’ and ‘Autumn in New York’, and regretted the nonsense heard today.

Artists House Master Class Barry Harris - Performance28:3929:2033:3834:13

In the Spirit of Bebop film, trying out and weighing the words of a love song of his own, Barry says you can hear Streisand singing it, and that if he got her to sing it he could give concerts for the rest of his life.

The Spirit of Bebop28:3029:04

In his own words

I wanted Barbra Streisand to be the Sock, and I had it planned for... I had a couple of songs, I wanted her to sing, and I had it planned for [Jimmy Slyde] to be the Can.

Artists House Master Class Barry Harris - Performance, New York City, 2004. Artists House master class, describing a play he was writing 26:25 Watch on YouTube at 26:25

She would come out, the wind would blow the sock out, and then the sock would turn to Barbra Streisand.

Artists House Master Class Barry Harris - Performance, New York City, 2004. Artists House master class, on her entrance in the play 26:25 Watch on YouTube at 26:25

You can hear [Streisand] singing this. I can hear it... I get her to sing it, huh? I can give concerts for the rest of my life.

The Spirit of Bebop, USA, 1999. Spirit of Bebop film, trying out the words of a love song of his 28:30 Watch on YouTube at 28:30

Every mention

3 moments in the recordings, 3 of them Barry speaking. Each says who is talking.

Artists House Master Class Barry Harris - Performance

New York City, 2004

  1. 26:25

    Barry

    Wanted Streisand to play the sock in a play he was writing, with Jimmy Slyde as the can.

    Watch on YouTube at 26:25

  2. 28:39

    Barry

    Introduces ‘The Breeze Song’ as the song he had for Streisand in the play.

    Watch on YouTube at 28:39

The Spirit of Bebop

USA, 1999

  1. 28:30

    Barry

    Imagines Streisand singing a love song he is writing; says they must get in touch with her.

    Watch on YouTube at 28:30

Method ideas nearby

Ideas of the method taught in the classes where they come up, with how many mentions fall in each.

  1. 12.1Everybody sings2
  2. 13.5Barry’s own compositions as etudes2
  3. 11.4Play from the body and the arm, not the fingers1
  4. 14.3Learn from the masters by ear; study the small things1
  5. 15.4The lineage1